Springsteen, Landau and Weinberg

I think Tyler Cowen first identified for me my problem with much of the latter day Bruce Springsteen catalog – “monotonous rhythm section” (see this blog post). Along these lines, I found a couple passages from Clinton Heylin‘s book “E Street Shuffle” to be especially on target.

First on page 114, discussing the band and period of touring just after Born To Run album came out. The ‘he’ here is Bruce.

He wanted a drummer who imposed a beat, and left it at that. When he told a court transcriber in 1976 that Landau “taught my drummer … how to play drums in a rock band,” he meant it as a compliment. However, this more metronomic style of playing failed to complement much of the material on which a prodigious live reputation had been forged. In other words, this was not the band Landau recently proclaimed to be “the future of rock ‘n’ roll,” making any ongoing promotional use of the that review almost smack of misrepresentation.

Jon Landau was the critic who wrote the ‘future’ line, and he became Bruce’s manager and confidante. He seems to push things in a very orthodox rock direction, and Heylin zeroes in on this point on page 84.

Landau’s interest had been piqued by the second album and, like Ed Ward, he was curious how they sounded live. If Landau’s local review of The Wild, the Innocent, posted in the window of Charlie’s Place, was essentially positive, he thought Lopez’s drumming “a weak spot,” and found the recording to be “a mite thin or trebly-sounding, especially when the band moves into the breaks.” When Springsteen introduced Landau to his producer inside, Appel rightly called him out, “So you don’t like the album’s production, huh!” Coming from the man who had gutted the most abrasive band to ever come out of Detroit’s Grande Ballroom (Landau produced the MC5’s weak second album, Back in the USA), Landau’s comments suggested an expertise he simply did not have.

From this account, it seems clear that Jon Landau pushed toward the metronome drumming that Max Weinberg quickly mastered. And I guess that helps explain why I still prefer Bruce’s first couple albums over all the rest. Which is not to say that Bruce and the E Street Band don’t put on a great show.

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